Scuba Sport Magazine is the only scuba magazine that offers diving news, dive travel, scuba gear, diving destinations and underwater photography that caters to the recreational diver.
adapter. This keeps the camera unit compact like a Nikonos, but with a bit better idea of what you are shooting. Tight f-stops gives \RX SOHQW\ RI GHSWK RI ÀHOG Manual or auto, you'll have to experiment and decide what works best with your system.
The main difference is in composition as you can see LQ WKH YLHZÀQGHU LQVWDQWO\ how the image worked, as well as if you want to try something else and shoot again.
Also, remember the double rule when converting back DQG IRUWK EHWZHHQ ÀOP DQG digital lenses.
The digital 15mm is DSSUR[LPDWHO\ HTXLYDOHQW WR a 28mm Nikonos lens (which is not very wide); so an PP GLJLWDO OHQV HTXDOV PP ÀOP OHQV HWF
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One, two or more strobes is dictated by your need for toys for your lighting considerations. I keep everything simple and use one, hand hold for maximum options and work on visual design.
Visual Design—Basically a photographer works with two types of design, the design you observe in your subject matter and the design you create in your photograph. Effective expression
depends on good visual design, which depends on careful observation and imagination, along with proper use of tools and WHFKQLTXHV
There are two basic elements of design, form & color, on which all visual expression depends. Both form and color are created by light. It gives us shape, texture, line, perspective, emotion, time and color itself! My compositions are nearly always vertical in format to use the sun (light) and blue (primary color) water column.
Dynamic simplicity—It is GLIÀFXOW WR RYHU HPSKDVL]H the importance of simplicity
Lowering the strobe angle creates colour in the bottom half while the crinoid arms, silhouetted in the sun, make the top half 'black & white'. Busy and heavy on the bottom, light and airy on the top which reinforces the delicate nature and bouquet of crinoids. St. Lucia.
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Dividing the image in half, top wa- ter bottom reef, and centering the 'subject' sea fan base, add light, and whala another amazing com- position—painting with light and a new appreciation for the common sea fan. Bay Islands, Honduras.
The image is divided into top light and bottom dark for balance,
the
centre is colour and body, the cri- noid arms and shrimp antennae compliment for repetition of line, proportion and balance achieving dynamic simplicity—fun and beau- tiful! St. Lucia.